I guess it's just time to stop. The first three X-Men movies were OK but did get progressively worse. The origins movie was quite forgettable. There were significant problems with First Class. But, in spite of all of these warning signs, I still wanted to see The Wolverine. It's probably because Hugh Jackman as the titular character still seems pretty badass to me. And, in this movie, he's still badass. But that's really the only thing that is.
Jackman, as mentioned, delivers. But, after playing the character five times, he would have to have it down. He oozes cool and has always had the right look. There is a lot of witty, sarcastic dialogue from him that adds to a decent level of comic relief. So, on that front, it's OK.
The problem is the rest of the film. It's an action movie and should deliver on that. But the action sequences are few and far between. When there is action, it's very good; especially the bullet train scene. But if they are going to have so little of it, they need to rely on the story to keep the audience interested. The Wolverine does not do this. The story is very thin, predictable and, frankly, quite boring. The villain has no personality and are pretty pathetic. There is nothing that happens that makes you care about the fate of any character past Logan and you know that he's going to survive because Hollywood refuses to do anything against the same old tired formulas.
Don't bother seeing it. I'm sure you'll be able to watch the next one without much need to catch up.
This is where I tell you if I like a movie or not. I will give a See or Don't See recommendation.
Thursday, 15 August 2013
Wednesday, 7 August 2013
The Smurfs 2 Review
As we all know, sequels (especially those to kids movies) have a well deserved reputation for being disappointing. One of the things about the first Smurfs movie that annoyed me was the introduction of a completely unnecessary Smurf for the sole purpose of having a wisecracking Scottish gnome on screen to sell Happy Meal toys. So when I saw that they were introducing two more new and "sassy" Smurfs for this one, I cringed. But, being a child of the 80s, I went anyways. And I'm glad I did.
While Gutsy Smurf was a superfluous combination of Smurfs we already knew, Vexy and Hackus are creations who's existence is central to the plot and even the story of Smurfette. While I'm not a fan of the drastic changes and additions to the Smurfs, I can accept it if they work it into the story in a meaningful way and they did so here. But I'm not sure two of them were necessary. Vexy is important but Hackus was a little too much. His moronic antics are cute at the start but are over used to the point that you just wish he'd go away (up until one part right close to the end that had me laughing out loud). I understand why they had him and why he stopped short of being all there mentally. (Gargamel was trying to create an army and only had enough Smurf essence for 1.5 brains and needs to get more. - that isn't a spoiler. It's the basic premise.) And the kids were laughing at Hackus throughout and this movie is in their world now, not mine.
Back to the Gutsy thing, I was really glad to see them move all of the "new age" Smurfs to the background and give them moderately humourous one-off jokes while they stuck to the basics of five Smurfs we all loved as kids: Papa, Smurfette, Clumsy, Grouchy, and Vanity. In doing this, they proved that you can take classic, bare bones elements and still update them through witty dialogue and make a decent movie that will entertain both generations. These five Smurfs had changed very little but were still able to entertain. It also helps that they ramped up the bumbling Gargamel and slapstick with Azrael. That kept me laughing as well.
The movie is nothing too special. The writing is average. The human acting is passable. The effects are very good but nothing innovative. But the bottom line is that this movie is meant to entertain children. It isn't like Pixar where they layer them to appeal to all generations. This is out and out a kids movie and in that, it delivers. It throws jokes like snowballs and has Chris Farley levels of characters running into things.
If you want a nice little entertaining diversion, see it.
While Gutsy Smurf was a superfluous combination of Smurfs we already knew, Vexy and Hackus are creations who's existence is central to the plot and even the story of Smurfette. While I'm not a fan of the drastic changes and additions to the Smurfs, I can accept it if they work it into the story in a meaningful way and they did so here. But I'm not sure two of them were necessary. Vexy is important but Hackus was a little too much. His moronic antics are cute at the start but are over used to the point that you just wish he'd go away (up until one part right close to the end that had me laughing out loud). I understand why they had him and why he stopped short of being all there mentally. (Gargamel was trying to create an army and only had enough Smurf essence for 1.5 brains and needs to get more. - that isn't a spoiler. It's the basic premise.) And the kids were laughing at Hackus throughout and this movie is in their world now, not mine.
Back to the Gutsy thing, I was really glad to see them move all of the "new age" Smurfs to the background and give them moderately humourous one-off jokes while they stuck to the basics of five Smurfs we all loved as kids: Papa, Smurfette, Clumsy, Grouchy, and Vanity. In doing this, they proved that you can take classic, bare bones elements and still update them through witty dialogue and make a decent movie that will entertain both generations. These five Smurfs had changed very little but were still able to entertain. It also helps that they ramped up the bumbling Gargamel and slapstick with Azrael. That kept me laughing as well.
The movie is nothing too special. The writing is average. The human acting is passable. The effects are very good but nothing innovative. But the bottom line is that this movie is meant to entertain children. It isn't like Pixar where they layer them to appeal to all generations. This is out and out a kids movie and in that, it delivers. It throws jokes like snowballs and has Chris Farley levels of characters running into things.
If you want a nice little entertaining diversion, see it.
2 Guns Review
I knew very little about this movie going in. All of my information came from the TV ads. I thought the idea of Mark Wahlberg and Denzel Washington engaging in witty dialogue and shooting a bunch of stuff would be fun. As it turns out, I was right. It is fun. But it is also pretty basic too.
One thing you need to know about this movie is that it is based on a series of graphic novels. I didn't know that until the end credits. If I had known that going in, I would have had an easier time accepting the over the top comic-like qualities of the villains. In that, it is reminiscent of The Losers. It isn't enough to make you dislike the movie but it does take away a bit from the experience. Had that been changed to be a bit more realistic, it would have made a better movie throughout.
That being said, the dynamic between Washington and Wahlberg is top notch. Denzel has always been able to deliver terrific dialogue especially when working with another strong actor. Wahlberg is decent at what he does especially when he's allowed to be a bit quirky and comical. In 2 Guns, that's exactly what they did and it works as long as the two are on screen together. When they are separated, the pace slows a lot and neither one performs as well as they do when together.
At the start, I felt like I was almost watching a remake of Bulletproof with some elements of the Last Boy Scout thrown in. This made me think that I wasn't going to like it at all. But then they moved past that with a couple of twists that grabbed my attention again. Even though it did slow down at times, they were able to hold that attention throughout and make me care about the outcome of the film. This is largely due to the fact that both leads were engaging. And Wahlberg's fast talking is better than anything Adam Sandler or Damon Wayans can deliver.
It's nothing that is going to set the earth on fire but it is still worth a watch to see Washington and Wahlberg work together. See it.
One thing you need to know about this movie is that it is based on a series of graphic novels. I didn't know that until the end credits. If I had known that going in, I would have had an easier time accepting the over the top comic-like qualities of the villains. In that, it is reminiscent of The Losers. It isn't enough to make you dislike the movie but it does take away a bit from the experience. Had that been changed to be a bit more realistic, it would have made a better movie throughout.
That being said, the dynamic between Washington and Wahlberg is top notch. Denzel has always been able to deliver terrific dialogue especially when working with another strong actor. Wahlberg is decent at what he does especially when he's allowed to be a bit quirky and comical. In 2 Guns, that's exactly what they did and it works as long as the two are on screen together. When they are separated, the pace slows a lot and neither one performs as well as they do when together.
At the start, I felt like I was almost watching a remake of Bulletproof with some elements of the Last Boy Scout thrown in. This made me think that I wasn't going to like it at all. But then they moved past that with a couple of twists that grabbed my attention again. Even though it did slow down at times, they were able to hold that attention throughout and make me care about the outcome of the film. This is largely due to the fact that both leads were engaging. And Wahlberg's fast talking is better than anything Adam Sandler or Damon Wayans can deliver.
It's nothing that is going to set the earth on fire but it is still worth a watch to see Washington and Wahlberg work together. See it.
Wednesday, 24 July 2013
Forrest Gump Review
Do I really have to convince you to see this movie? Chances are, if you care, you already have. And then the chances are good that you would also recommend it to people. For my money, this is flat out one of the best movies ever made. For its time, the effects were unbelievable, the writing is solid, and the story is gripping and engaging. The comic relief is well spaced and just funny enough to make you laugh while remaining in the seriousness of the moment. It's one of those films that can make you laugh out loud and still bawl your eyes out later on. Finally, the acting is some of the best I've ever seen. In fact, for all of the movies I have watched over the years, Tom Hanks' performance as Forrest Gump is the most well-deserved Best Actor winner in history.
But it isn't just the solid technical aspects that make Forrest Gump so good. There are two further reasons why I love this film. First, I love history. To be able to see some of the most important events in history through the eyes of a simpleton brings a unique perspective to the study of the past. Even though Forrest's involvement in these eras and events is purely fictional, it shows how the world is becoming increasingly tumultuous and complex but humanity, at its core, remains fairly simple. While the world changes, our basic needs and desires stay constant.
Second, using the hyperbole of the most simple of people being thrown into the most extraordinary of situations hammers home an even more philosophical point. Even though many of us are just trying to live our lives without any grand outcome, the little things we do can have a profound impact on others and the world. Forrest was just trying to save Bubba in the firefight. He just felt like dancing while Elvis played guitar. Bear Bryant told him to run with the football so he did. And he just felt like going for a jog. But these and the other events changed lives and history within this film's universe.
The only problem I have with this movie is the part about him running across the country for three plus years. While all of Forrest's life events are far fetched, the running for that long was just a little too far over the line and seems oddly out of place in the film. But by the time it gets to that part, it doesn't matter. You will have already seen one of the greatest movies of all time.
And, because my "thing" is to give a see or don't see recommendation at the end of every review, I guess I have to say it to keep the streak alive: See it.
But it isn't just the solid technical aspects that make Forrest Gump so good. There are two further reasons why I love this film. First, I love history. To be able to see some of the most important events in history through the eyes of a simpleton brings a unique perspective to the study of the past. Even though Forrest's involvement in these eras and events is purely fictional, it shows how the world is becoming increasingly tumultuous and complex but humanity, at its core, remains fairly simple. While the world changes, our basic needs and desires stay constant.
Second, using the hyperbole of the most simple of people being thrown into the most extraordinary of situations hammers home an even more philosophical point. Even though many of us are just trying to live our lives without any grand outcome, the little things we do can have a profound impact on others and the world. Forrest was just trying to save Bubba in the firefight. He just felt like dancing while Elvis played guitar. Bear Bryant told him to run with the football so he did. And he just felt like going for a jog. But these and the other events changed lives and history within this film's universe.
The only problem I have with this movie is the part about him running across the country for three plus years. While all of Forrest's life events are far fetched, the running for that long was just a little too far over the line and seems oddly out of place in the film. But by the time it gets to that part, it doesn't matter. You will have already seen one of the greatest movies of all time.
And, because my "thing" is to give a see or don't see recommendation at the end of every review, I guess I have to say it to keep the streak alive: See it.
Tuesday, 23 July 2013
PCU Review
Ah, the 90s. When a guy could wear mom jeans with a t-shirt tucked in and be considered the cool guy. As long as there are movies, Hollywood will continue to pump out hastily written and made comedies that are designed to do nothing more than distract the masses for a couple of hours. That's really all PCU is. Sure, they try to make a commentary on political correctness getting out of hand by exaggerating it on a college campus. But, in the end, it's Animal House, Old School, and House Party 2 and every other college party movie.
That's not to say that it isn't enjoyable. It is. Jeremy Piven, John Favreau, and David Spade do bring a half decent level of smartly delivered comedy to it. And the different cliques of campus students provide some laughs in their over the top antics throughout. The problem is that it seems it was slapped together very hastily. Political correctness exploded in the early 90s and is still a nuisance much of the time for people who want to just relax and have a few laughs and a good time. Had they taken a bit more time and effort with this, it could have avoided being a forgettable movie and been a decent statement on fighting the establishment. Instead, the writing is very shallow and the story suffers. It has become that movie you see in the bargain bin and say, "oh, yeah. I remember that."
And, because it does provide some laughs, it is worth the bargain bin price; especially if you get the double feature pack that also includes Airheads. If you stumble across it, see it if only for the nostalgia of the early 90s. But, whatever you do, don't go seeking it out.
That's not to say that it isn't enjoyable. It is. Jeremy Piven, John Favreau, and David Spade do bring a half decent level of smartly delivered comedy to it. And the different cliques of campus students provide some laughs in their over the top antics throughout. The problem is that it seems it was slapped together very hastily. Political correctness exploded in the early 90s and is still a nuisance much of the time for people who want to just relax and have a few laughs and a good time. Had they taken a bit more time and effort with this, it could have avoided being a forgettable movie and been a decent statement on fighting the establishment. Instead, the writing is very shallow and the story suffers. It has become that movie you see in the bargain bin and say, "oh, yeah. I remember that."
And, because it does provide some laughs, it is worth the bargain bin price; especially if you get the double feature pack that also includes Airheads. If you stumble across it, see it if only for the nostalgia of the early 90s. But, whatever you do, don't go seeking it out.
Wednesday, 17 July 2013
Pacific Rim Review
When I first heard of this movie I thought it would provide a fresh look at dealing with an alien invasion. It actually looked like something that was mostly new and quite exciting. After all, it has 250 foot robots fighting giant monsters from another world. Then, I watched it and realized that it is actually nothing really new. Almost everything in this movie is derived from another sci-fi/action source (right down to referring to a rift in time/space as a "breach." Guillermo del Toro took a lot of things that we found cool or interesting in other movies and TV shows and mashed them together into Pacific Rim. This isn't overly surprising given that Hollywood has been suffering from a lack of creativity lately.
Pacific Rim does have decent story progression. It gets to the point (let's see giant things smash little things while beating the crap out of each other) very quickly without a lot of origin exposition and discovering how to deal with Earth's sudden dramatic paradigm shift. It gives you what you need to know and then moves on to the smashy smashy. The problem is that the actual delivery of that story is quite bad. The writing (especially dialogue) is done very poorly and it is delivered atrociously by the actors (especially Charlie Hunnam). There is too much emphasis on getting the dramatic camera angle and not enough on telling the story. Then they went a little overboard in making the characters seem to be straight off the pages of a comic book (the Russians, Mako Mori, Hannibal Chau, etc.) making them unrelateable (this would be forgiven somewhat if it was based on a graphic novel). It's made worse by the large number of plot holes and logical flaws that can be seen throughout; in particular, how the Jaegers are used.
The good in this movie is in the effects, makeup and action. The monsters and robots are fantastically created and I liked how they were all different. Everything looks very realistic with minimal flaws. They also stayed away from the overly shaky camera work that film makers love now for some stupid reason. This lets the viewer see and take in the maximum amount of action and those parts are a joy to watch.
Visually, it is good. But del Toro's efforts to make it more light-hearted than other recent summer action blockbusters wind up actually making it more of an eye-roller and forehead-slapper. So it narrowly misses a See recommendation and gets pushed into Don't See.
Pacific Rim does have decent story progression. It gets to the point (let's see giant things smash little things while beating the crap out of each other) very quickly without a lot of origin exposition and discovering how to deal with Earth's sudden dramatic paradigm shift. It gives you what you need to know and then moves on to the smashy smashy. The problem is that the actual delivery of that story is quite bad. The writing (especially dialogue) is done very poorly and it is delivered atrociously by the actors (especially Charlie Hunnam). There is too much emphasis on getting the dramatic camera angle and not enough on telling the story. Then they went a little overboard in making the characters seem to be straight off the pages of a comic book (the Russians, Mako Mori, Hannibal Chau, etc.) making them unrelateable (this would be forgiven somewhat if it was based on a graphic novel). It's made worse by the large number of plot holes and logical flaws that can be seen throughout; in particular, how the Jaegers are used.
The good in this movie is in the effects, makeup and action. The monsters and robots are fantastically created and I liked how they were all different. Everything looks very realistic with minimal flaws. They also stayed away from the overly shaky camera work that film makers love now for some stupid reason. This lets the viewer see and take in the maximum amount of action and those parts are a joy to watch.
Visually, it is good. But del Toro's efforts to make it more light-hearted than other recent summer action blockbusters wind up actually making it more of an eye-roller and forehead-slapper. So it narrowly misses a See recommendation and gets pushed into Don't See.
Monday, 1 July 2013
Man of Steel Review
The popularity of comic book movies combined with reboots and remakes made this a foregone conclusion. Superman is the iconic go to superhero in most people's minds. So, the question is: did they do a good job of modernizing Superman for today's movie going audience while still maintaining his everyman superhero status? I think they did.
You can't do much to alter the origin story of Superman or most other superheroes. The hard line fans will kill you if you do. So, you know that you're going to have to sit through a long, drawn out story of Krypton's destruction and Clark kent growing up in Kansas while learning to come to grips with his powers. They alleviated this somewhat in two ways. First, they made all of the stuff on Krypton very nice to look at. While we can turn our minds off while they tell us a story that we all know, we can just sit back and enjoy the view. And they are visuals that are superb all the way through. Second, they wove the coming of ages stuff within the movie with flashbacks. This allows the story to move forward with a decent pace while still showing the viewer the entire struggle that Kal-El faces on earth. It made a 2.5 hour movie move fairly quickly.
The action sequences are a little sparsely placed. But when they do show up, they are done very well with minimal shaky camera work. There are a lot of exposition and slower "brooding" scenes which could have slowed the movie down. But this version of Superman is very well cast and the actors really do step up to the plate. I had never heard of Henry Cavill but making him Superman was absolutely brilliant. He has the perfect physique and look to play the All-American hero. Amy Adams isn't the stereotypical Lois Lane but Lane takes a different direction in this version. I love that they didn't make her an idiot who can't tell the difference between glasses and no glasses. Kevin Costner and Russell Crowe are both solid as Kal-El's fathers. Finally, Laurence Fishburne as Perry White was a very good choice. He has a air of authority and father figure that plays very well as editor of the Daily Planet.
Lastly, I want to give a nod to their portrayal of Metropolis. There are numerous famous buildings from around the world in the shots of the city and this gives it a real "every city" feel. Their use of the International House of Pancakes works in the same way for Smallville. And having Clark go to Canada to work on the fishing boats was a nice touch when they could have easily just sent him to Maine. While they do Americanize the whole story a bit, these elements do allow for Superman to be a hero for the whole world. It's something this Canadian reviewer appreciates.
See it.
You can't do much to alter the origin story of Superman or most other superheroes. The hard line fans will kill you if you do. So, you know that you're going to have to sit through a long, drawn out story of Krypton's destruction and Clark kent growing up in Kansas while learning to come to grips with his powers. They alleviated this somewhat in two ways. First, they made all of the stuff on Krypton very nice to look at. While we can turn our minds off while they tell us a story that we all know, we can just sit back and enjoy the view. And they are visuals that are superb all the way through. Second, they wove the coming of ages stuff within the movie with flashbacks. This allows the story to move forward with a decent pace while still showing the viewer the entire struggle that Kal-El faces on earth. It made a 2.5 hour movie move fairly quickly.
The action sequences are a little sparsely placed. But when they do show up, they are done very well with minimal shaky camera work. There are a lot of exposition and slower "brooding" scenes which could have slowed the movie down. But this version of Superman is very well cast and the actors really do step up to the plate. I had never heard of Henry Cavill but making him Superman was absolutely brilliant. He has the perfect physique and look to play the All-American hero. Amy Adams isn't the stereotypical Lois Lane but Lane takes a different direction in this version. I love that they didn't make her an idiot who can't tell the difference between glasses and no glasses. Kevin Costner and Russell Crowe are both solid as Kal-El's fathers. Finally, Laurence Fishburne as Perry White was a very good choice. He has a air of authority and father figure that plays very well as editor of the Daily Planet.
Lastly, I want to give a nod to their portrayal of Metropolis. There are numerous famous buildings from around the world in the shots of the city and this gives it a real "every city" feel. Their use of the International House of Pancakes works in the same way for Smallville. And having Clark go to Canada to work on the fishing boats was a nice touch when they could have easily just sent him to Maine. While they do Americanize the whole story a bit, these elements do allow for Superman to be a hero for the whole world. It's something this Canadian reviewer appreciates.
See it.
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